London Walks Suspended (Briefly) But We’re Still Guiding (Podcasting).

The National Gallery

Embankment underground station, London (Villiers Street exit)

Guided by Margaret or Molly

Walk Times

DayWalk TypeStart TimeEnd Time
Friday Weekly2.15 pm4.15 pm Winter Summer

This is the greatest art story ever told. It is a story told by the most famous paintings in the world – from the Wilton Diptych to Vincent Van Gogh’s Sunflowers. It is a story told by the world’s greatest artists – from Leonardo da Vinci to Rembrandt to Monet. It is a story told in the greatest art gallery in the world (sorry Louvre). It is a story curated and served up by an expert – an art historian. This way then – to London, to Trafalgar Square, to the greatest art museum on earth – to the National Gallery. This way to “the story of European art, masterpiece by masterpiece.”

National Gallery Tour Practicals

Meeting time: Fridays at 2.15 pm

Meeting point: Just outside Embankment underground station (the Villiers Street exit), London. The London Walks guide is easy to identify. They hold up copies of the distinctive white London Walks leaflet and sport their professional qualification – the famous Blue Badge.

Price: £10 per person (full adult); £8 for full time students and over 65s; children accompanied by their parent(s) go free

The price covers the guide’s fee. Admission to the National Gallery is free. There is no other charge. (At the end of the tour you are of course more than welcome to help support the National Gallery by becoming a member or getting a gift or book in the NG’s superb gift shop or having something toothsome in one of the Gallery’s ever so civilised cafes.)

Itinerary

“The story of European art, masterpiece by masterpiece”

Trafalgar Square Fountain and the national gallery building in the background

We meet just outside the Villiers Street exit of Embankment Tube Stop. A short stroll up Villiers Street and across The Strand and we’re there, in Trafalgar Square, outside the National Gallery. We make our way to the latest addition to the National Gallery, the award-winning, postmodern, Grade I listed Sainsbury Wing. (So, yes, some remarkable architecture and history of the National Gallery generally as a scene setter.) Inside, practicals get taken care of – coats can be checked, washroom visits made, etc.

And then we meet the works of art – and the artists – room by room, painting by painting. More than meet them – get to know them really well, spend some quality time with them. Because we see them through the eyes of an expert.

We do it in the way that makes the most sense. We “read” the story from beginning to end. Page one is the centuries-old – 1300-1500 – early Gothic and Renaissance masterpieces in the Sainsbury wing. Our selection varies – ranging over the Wilton Diptych to Piero Della Francesca’s Baptism of Christ to Botticelli’s Venus and Mars to Van Eyck’s Arnolfini Portrait.

We turn the page to High Renaissance & Mannerism (1500-1600). To a selection of paintings ranging from Leonardo da Vinci’s Virgin of the Rocks to Titian’s Bacchus and Ariadne to Hans Holbein’s The Ambassadors.

Overleaf it’s the Baroque Era (1600-1700) we peer into the wondrous depths of the likes of Caravaggio’s The Supper at Emmaus and Claude Lorraine’s Seaport with the Embarkation of the Queen of Sheba and Rubens’ Samson and Delila and Van Dyck’s Charles I.

Page after page of masterpiece after masterpiece because then it’s on to Dutch Realism (1600s). To Rembrandt’s Self Portrait perhaps and/or Jan Vermeer’s Girl with the pearl earring.

Next, it’s the Rococo to Neo-Classicism (1700-1800) treasure trove. It ranges from Canaletto’s Stonemason’s Yard to Hogarth’s Marriage a La Mode to Gainsborough’s Mr and Mrs Andrews to Joseph Wright’s Experiment on a bird in an air pump.

And then? It almost goes without saying: Constable’s The Hay Wain and Turner The Fighting Temeraire.

The penultimate chapter in the story is of course Impressionism (1800-1900). Perhaps Monet’s The Water-Lily Pond or George Seurat’s Bathers. Or both.

And the grand finale, the last page? Vincent Van Gogh and The Post Impressionists (1800-1900).

 

 

National Gallery Highlights

An outstanding tour of the National Gallery is the world’s greatest art history course.

The Wilton Diptych, for example, in the Sainsbury Gallery. A rare and priceless mediaeval painting, it takes us back over 600 years, takes us into a world that is both strange and uncannily familiar. We “read” it: how the unnamed artist worked, the materials he used, the details, the iconography, the signs. Further along, Jan Van Eyck’s exquisite Arnolfini Portrait. The textures, colours, wondrous treatment of light, Latin inscription, the “things” in the room and what they signify, the couple, their dog, their mysterious guests.… Once seen, never forgotten.

Rembrandt’s Self-portrait made just before his death. Former NG Director Kenneth Clark puts it best: “with the possible exception of Van Gogh, Rembrandt is the only artist who has made the self-portrait a major means of artistic self-expression, and he is absolutely the one who has turned self-portraiture into an autobiography.” Then there’s JMW Turner’s masterpiece, The Fighting Temeraire. Its fighting days over, this is the last journey of the old Trafalgar tall-masted gunship. It’s Britain’s best loved painting. You can see why. Another once seen, never forgotten.

National Gallery Famous Paintings

And here’s a further selection of highlights from the National Gallery’s collection (should you, at tour’s end, want to continue the feast). Three dozen art-historian recommendations, shall we say.

  • Johannes Vermeer, A Young Woman Standing at a Virginal (1670-72)
  • Peter Paul Rubens, Samson and Delilah (1609)
  • Michelangelo, The Entombment – of Christ being carried to his tomb (1500)
  • Diego Velázquez, The Rokeby Venus (1647-51)
  • Bellini, Doge Leonardo Loredan (1501)
  • Hieronymus Bosch, Christ Mocked – The Crowning with Thorns (1490)
  • George Stubbs, Whistlejacket (1762)
  • Piero della Francesca, The Baptism of Christ (1450)
  • Degas, Combing the Hair (1896)
  • Crivelli, The Annunciation (1486)
  • Lucas Cranach, Cupid Complaining to Venus (1525)
  • Thomas Jones, A Wall in Naples (1782)
  • Manet, The Execution of Maximilian (1867)
  • Rousseau, Tiger in a Tropical Storm (Surprised) (1891)
  • Pieter Saenredam, The Interior of the Grote Kerk at Haarlem (1636)
  • Frans Hals, Young Man Holding a Skull (1626)
  • Uccello, Battle of San Romano (1438-40)
  • Francisco de Zurbarán, A Cup of Water and a Rose (1630)
  • Pissaro, The Boulevard Montmartre at Night (1897)
  • Renoir, At the Theatre (1876-7)
  • Cézanne, Self Portrait (1880)
  • Raphael, The Garvagh Madonna (1509-10)
  • Goya, Portrait of the Duke of Wellington (1812-14)
  • Delacroix, Ovid among the Scythians (1859)
  • John Singer Sargent, Two Wineglasses (1874)
  • Manet, Woman with a Cat, (1880)
  • Paul Delaroche, The Execution of Lady Jane Grey, (1833)
  • Renoir, The Skiff, (1879)
  • Pieter Bruegel the Elder, Landscape with the Flight into Egypt (1563)
  • Paolo Uccello, Saint George and the Dragon (1470)
  • Poussin, Landscape with Travellers Resting (c. 1638)
  • Murillo, Christ Healing the Paralytic at the Pool of Bethesda (c. 1668)
  • Fra Filippo Lippi, Seven Saints (c. 1450)
  • Courbet, Still Life with Apples and a Pomegranate (1871)
  • Gerard David, Christ Nailed to the Cross (1481)
  • Luca Signorelli, The Circumcision (1491)

Frequently Asked Questions

Q. Pablo Picasso was the most famous artist of the 20th century. Will we see any paintings by Picasso?

A. There are a couple of Picassos in the National Gallery collection, notably Motherhood (from Picasso’s Blue Period) and Fruit Dish, Bottle and Violin (the Gallery’s only example of Cubism). Unfortunately, these two famous paintings are currently not on display. As soon as they go back on display, yes, you will see some of the work of Pablo Picasso. In the meantime, there are several modernist masterpieces by Picasso’s contemporaries that are currently on display.

Reviews

“The guide at the National Gallery (Margaret) gave one of the best art museum tours I’ve ever had”    Stan0101  San Diego, California

“Molly did a fantastic job as the guide for the tour of the National Gallery. Obviously we did not see the over 3,000 pieces in the collection. Instead, our group of 11 got a well constructed, highly knowledgeable look into the history of art and its development over the centuries. Using a well thought out list of key pieces, Molly led us through a wonderful progression of key works. It was definitely two hours well spent and made it so much more meaningful to continue one’s own exploration of this magnificent gallery.”  Redlands CAFoodie   Redlands, California

“The National Gallery tour was terrific. Margaret was an informed, interesting and responsive guide. She selected a range of works to highlight developments of western art from the 13th to the 19th century. This was very well presented. It was thought provoking, enjoyable and very good value”   Jan S.  TripAdvisor

“We did the London Walks National Gallery tour with Simon W. and it was excellent. Simon was a very personable guide, full of interesting facts and opinions. I am not a big art fan and sometimes galleries simply have too much to look at for me, but he chose about 10 pieces to look at in detail, which mapped the development of Western art over about 700 years, and what he had to say about each piece was fascinating. The atmosphere was informal so we felt we could ask any questions. It was a very interesting and inspiring couple of hours.”  Matt K. Reading, United Kingdom

Peroration (‘rearrange your sense of reality’)

“You’ve been nailed again, eye-popped. Life has just been adjusted,” as the wonderful Simon Schama puts it. In that same vein (SS again): “Great art has dreadful manners. The hushed reverence of the gallery can fool you into believing masterpieces are polite things, visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure and then proceed in short order to rearrange your sense of reality.” And on that note – warning? – you are cordially invited to a levée with the likes of Rembrandt, Rubens, Leonardo da Vinci, Van Dyck, Goya, Bosch, Constable, Turner, Claude Monet, Renoir and Van Gogh.A levée in the company of art historians Molly, Simon and Margaret.

LONDON WALKS PRIVATE WALKS

If you can’t make one of the regularly scheduled, just-turn-up, public Mountain Building & Meteorites in the City of London walks it can always be booked as a private tour. If you go private you can have the The National Gallery walk – or any other London Walk – on a day and at a time that suits your convenience. We’ll tailor it to your requirements. Ring Fiona or Noel or Mary on 020 7624 3978 or email us at privatewalks@walks.com and we’ll set it up and make it happen for you. A private London Walk – they’re good value for an individual or couple and sensational value for a group – makes an ideal group or educational or birthday party or office (team-building) or club outing.

GIVE THE GIFT OF LONDON WALKS

A private London Walk makes a fab gift – be it a birthday or anniversary or Christmas present or whatever. Merchandise schmerchandise (gift wrapped or not) – but giving someone an experience, now that’s special. Memories make us rich.

LONDON WALKS – STREETS AHEAD!

Don’t just take it from us.

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